{"id":1746,"date":"2014-03-31T12:55:52","date_gmt":"2014-03-31T15:55:52","guid":{"rendered":"http:\/\/faustojunior.com\/blog\/?p=1746"},"modified":"2026-05-30T21:13:09","modified_gmt":"2026-05-31T00:13:09","slug":"o-cinema-e-o-golpe","status":"publish","type":"post","link":"https:\/\/faustojunior.com\/blog\/o-cinema-e-o-golpe\/","title":{"rendered":"O Cinema e o golpe"},"content":{"rendered":"<p>Em mar\u00e7o\/2014 o jornal A Tarde publicou uma s\u00e9rie de reportagens no Caderno 2 sobre o impacto do golpe militar de 64 em diversas \u00e1reas art\u00edsticas da Bahia. Na mat\u00e9ria sobre cinema, publicada em 17\/mar\/2014, o jornalista e cr\u00edtico de cinema Jo\u00e3o Carlos Sampaio apresenta um panorama da produ\u00e7\u00e3o cinematogr\u00e1fica na Bahia e os embates com a ditadura.<\/p>\n<h4><strong>S\u00e9rie do jornal A Tarde sobre os 50 anos do golpe:<\/strong><\/h4>\n<p><strong>Cinema:<\/strong> <a title=\"A Tarde: Duro golpe de 1964 para fr\u00e1gil cena baiana\" href=\"http:\/\/atarde.uol.com.br\/materias\/1576262\" target=\"_blank\">Duro golpe de 1964 para fr\u00e1gil cena baiana<\/a>.<br \/>\nJo\u00e3o Carlos Sampaio<\/p>\n<p><a title=\"A Tarde: Duro golpe para fr\u00e1gil cena baiana - pdf\" href=\"http:\/\/faustojunior.com\/arquivos\/A-Tarde_Golpe-50anos_cinema.pdf\" target=\"_blank\">Veja vers\u00e3o em PDF<\/a>, que traz um artigo sobre o cineasta Olney S\u00e3o Paulo.<\/p>\n<p><strong>M\u00fasica:<\/strong> <a title=\"A Tarde: Sem liberdade, com inspira\u00e7\u00e3o\" href=\"http:\/\/atarde.uol.com.br\/cultura\/noticias\/50-anos-do-golpe-sem-liberdade-com-inspiracao-1576542\" target=\"_blank\">Sem liberdade, com inspira\u00e7\u00e3o<\/a>.<br \/>\nVerena Paranhos<\/p>\n<p><strong>Humor:<\/strong> <a title=\"A Tarde: Suplemento &quot;A Coisa&quot; foi um marco do humor gr\u00e1fico\" href=\"http:\/\/atarde.uol.com.br\/cultura\/noticias\/suplemento-a-coisa-foi-um-marco-do-humor-grafico-1576549\" target=\"_blank\">Suplemento &#8220;A Coisa&#8221; foi um marco do humor gr\u00e1fico.<\/a><br \/>\nChico Castro Jr.<\/p>\n<p><strong>Artes visuais:<\/strong> <a title=\"A Tarde: 2\u00aa Bienal da Bahia foi fechada\" href=\"http:\/\/atarde.uol.com.br\/cultura\/noticias\/50-anos-do-golpe-2a-bienal-da-bahia-foi-fechada-1576889\" target=\"_blank\">2\u00aa Bienal da Bahia foi fechada<\/a>.<br \/>\nMarcos Dias<\/p>\n<p><strong>Dan\u00e7a:<\/strong> <a title=\"A Tarde: Dan\u00e7a dribla a repress\u00e3o\" href=\"http:\/\/atarde.uol.com.br\/cultura\/teatro\/noticias\/50-anos-do-golpe-danca-dribla-a-repressao-1577216\" target=\"_blank\">Dan\u00e7a dribla a repress\u00e3o<\/a>.<br \/>\nEduarda Uz\u00eada<\/p>\n<p><strong>Teatro:<\/strong> <a title=\"A Tarde: Teatro Baiano resiste diante de um quadro de opress\u00e3o\" href=\"http:\/\/atarde.uol.com.br\/materias\/1577222\" target=\"_blank\">Teatro Baiano resiste diante de um quadro de opress\u00e3o<\/a>.<br \/>\nEduarda Uz\u00eada<\/p>\n<p><strong>Literatura:<\/strong> <a title=\"A Tarde: &quot;Sil\u00eancio&quot; nas letras\" href=\"http:\/\/atarde.uol.com.br\/cultura\/literatura\/noticias\/50-anos-do-golpe-silencio-nas-letras-1577853\" target=\"_blank\">&#8220;Sil\u00eancio&#8221; nas letras<\/a>.<br \/>\nMariana Paiva<\/p>\n<p>&nbsp;<\/p>\n<div class='cow_johnson' style='padding:15px;margin-bottom:15px;float:left;margin-right:15px;width:640px;color:#666666!important;font-family:\"Segoe UI\";font-size:14px!important;line-height:16px!important;background:#FFFFFF;'><\/p>\n<p><strong>Leia tamb\u00e9m:<\/strong>\u00a0<!-- relpost-thumb-wrapper --><div class=\"relpost-thumb-wrapper\"><!-- filter-class --><div class=\"relpost-thumb-container\"><style>.relpost-block-single-image, .relpost-post-image { margin-bottom: 10px; }<\/style><h2>Leia tamb\u00e9m:<\/h2><div style=\"clear: both\"><\/div><div style=\"clear: both\"><\/div><!-- relpost-block-container --><div class=\"relpost-block-container relpost-block-column-layout\" style=\"--relposth-columns: 3;--relposth-columns_t: 2; --relposth-columns_m: 2\"><a href=\"https:\/\/faustojunior.com\/blog\/i-mostra-de-cinema-negro\/\"class=\"relpost-block-single\" ><div class=\"relpost-custom-block-single\"><div class=\"relpost-block-single-image rpt-lazyload\" aria-hidden=\"true\" role=\"img\" data-bg=\"https:\/\/faustojunior.com\/blog\/wp-content\/uploads\/2018\/04\/mostra-cinema-negro-mahomed-bamba-155x96.jpg\" style=\"background: transparent no-repeat scroll 0% 0%; width: 155px; height: 96px; aspect-ratio: 1\/1;\"><\/div><div class=\"relpost-block-single-text\"  style=\"height: 32px;font-family: Arial;  font-size: 12px;  color: #333333;\"><h2 class=\"relpost_card_title\">I Mostra de Cinema Negro<\/h2><\/div><\/div><\/a><a href=\"https:\/\/faustojunior.com\/blog\/sessao-vitrine\/\"class=\"relpost-block-single\" ><div class=\"relpost-custom-block-single\"><div class=\"relpost-block-single-image rpt-lazyload\" aria-hidden=\"true\" role=\"img\" data-bg=\"https:\/\/faustojunior.com\/blog\/wp-content\/uploads\/2017\/02\/sessao-vitrine-petrobras-155x96.jpg\" style=\"background: transparent no-repeat scroll 0% 0%; width: 155px; height: 96px; aspect-ratio: 1\/1;\"><\/div><div class=\"relpost-block-single-text\"  style=\"height: 32px;font-family: Arial;  font-size: 12px;  color: #333333;\"><h2 class=\"relpost_card_title\">Sess\u00e3o Vitrine<\/h2><\/div><\/div><\/a><a href=\"https:\/\/faustojunior.com\/blog\/a-linguagem-do-cinema\/\"class=\"relpost-block-single\" ><div class=\"relpost-custom-block-single\"><div class=\"relpost-block-single-image rpt-lazyload\" aria-hidden=\"true\" role=\"img\" data-bg=\"https:\/\/faustojunior.com\/blog\/wp-content\/uploads\/2017\/11\/linguagem-do-cinema-155x96.jpg\" style=\"background: transparent no-repeat scroll 0% 0%; width: 155px; height: 96px; aspect-ratio: 1\/1;\"><\/div><div class=\"relpost-block-single-text\"  style=\"height: 32px;font-family: Arial;  font-size: 12px;  color: #333333;\"><h2 class=\"relpost_card_title\">A Linguagem do Cinema<\/h2><\/div><\/div><\/a><\/div><!-- close relpost-block-container --><div style=\"clear: both\"><\/div><\/div><!-- close filter class --><\/div><!-- close relpost-thumb-wrapper --> <\/div><div style=\"clear:both;\"><\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Em mar\u00e7o\/2014 o jornal A Tarde publicou uma s\u00e9rie de reportagens no Caderno 2 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1756,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[149],"tags":[786,800,367,366,272,274],"class_list":["post-1746","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema-2","tag-bahia","tag-cinema","tag-ditadura","tag-golpe-militar-de-64","tag-joao-carlos-sampaio","tag-jornal-a-tarde"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/faustojunior.com\/blog\/wp-json\/wp\/v2\/posts\/1746","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/faustojunior.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/faustojunior.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/faustojunior.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/faustojunior.com\/blog\/wp-json\/wp\/v2\/comments?post=1746"}],"version-history":[{"count":14,"href":"https:\/\/faustojunior.com\/blog\/wp-json\/wp\/v2\/posts\/1746\/revisions"}],"predecessor-version":[{"id":2942,"href":"https:\/\/faustojunior.com\/blog\/wp-json\/wp\/v2\/posts\/1746\/revisions\/2942"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/faustojunior.com\/blog\/wp-json\/wp\/v2\/media\/1756"}],"wp:attachment":[{"href":"https:\/\/faustojunior.com\/blog\/wp-json\/wp\/v2\/media?parent=1746"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/faustojunior.com\/blog\/wp-json\/wp\/v2\/categories?post=1746"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/faustojunior.com\/blog\/wp-json\/wp\/v2\/tags?post=1746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}