{"id":7189,"date":"2020-05-29T21:34:51","date_gmt":"2020-05-30T00:34:51","guid":{"rendered":"http:\/\/faustojunior.com\/blog\/?p=7189"},"modified":"2020-05-30T14:35:18","modified_gmt":"2020-05-30T17:35:18","slug":"legados-do-cinema-brasileiro","status":"publish","type":"post","link":"https:\/\/faustojunior.com\/blog\/legados-do-cinema-brasileiro\/","title":{"rendered":"Legados do Cinema Brasileiro"},"content":{"rendered":"\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Por Fausto Junior<\/p>\n\n\n\n<h4 class=\"wp-block-heading\" style=\"text-align:center\">A mem\u00f3ria do Cinema Brasileiro \u00e9 reunida em um canal do Youtube<\/h4>\n\n\n\n<div style=\"height:62px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Um canal no Youtube aberto em fev\/2020 re\u00fane (at\u00e9 o momento) cerca de 300 filmes brasileiros de diversas \u00e9pocas, desde cl\u00e1ssicos dos anos 20 do s\u00e9culo passado, como <strong>No Pa\u00eds das Amazonas<\/strong> (Joaquim Gon\u00e7alves de Ara\u00fajo &amp; Silvino Santos) e obras de Humberto Mauro, at\u00e9 produ\u00e7\u00f5es mais recentes, como <em><strong>Bandeira de Retalhos<\/strong><\/em> (Sergio Ricardo), com Ant\u00f4nio Pitanga e Osmar Prado. Todos os filmes s\u00e3o apresentados de modo completo e com acesso gratuito, sem restri\u00e7\u00f5es.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dois detalhes chamam a aten\u00e7\u00e3o:<br> <strong>1)<\/strong> V\u00e1rias informa\u00e7\u00f5es, e mesmo o t\u00edtulo do canal, est\u00e3o em ingl\u00eas: <strong><a href=\"https:\/\/www.youtube.com\/channel\/UCZfgNbkYFhDmcoFazhrtdFg\/featured\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (abre numa nova aba)\">Legacies of Brazilian Cinema<\/a><\/strong> (Legados do Cinema Brasileiro), tendo como justificativa o objetivo de divulgar o cinema brasileiro para um p\u00fablico mais amplo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2) <\/strong>A extrema organiza\u00e7\u00e3o do conte\u00fado, que facilita a busca a partir de diversos crit\u00e9rios. Para isso foram criadas playlists separadas por:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>d\u00e9cada (desde os anos 1920); <\/li><li>g\u00eanero ou formato (document\u00e1rios, curtas, anima\u00e7\u00e3o, horror, com\u00e9dia, etc); <\/li><li>per\u00edodos hist\u00f3ricos (cinema mudo, Cin\u00e9dia, Atl\u00e2ntida, Vera Cruz, Cinema Marginal, Embrafilme); <\/li><li>fun\u00e7\u00f5es art\u00edsticas, agrupando filmes de determinados diretores (como Aloysio Raulino, Nelson Pereira dos Santos e Ozualdo Candeias); filmes estrelados por Ankito, Anecy Rocha e at\u00e9 mesmo Caetano Veloso (como ator). Al\u00e9m disso, o canal organizou playlists evidenciando outras tr\u00eas fun\u00e7\u00f5es: montagem (destacando, por exemplo, Cristina Amaral e Eduardo Escorel); fotografia (reunindo trabalhos feitos por Dib Lufti, Edgar Moura, entre outros) e trilha sonora, trazendo desde obras com m\u00fasica de Villa-Lobos at\u00e9 Rog\u00e9rio Duprat e Milton Nascimento.<\/li><\/ul>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/faustojunior.com\/blog\/wp-content\/uploads\/2020\/05\/legacies-of-brazilian-cinema_playlists-1.jpg\" alt=\"\" class=\"wp-image-7195\" width=\"640\" height=\"325\" srcset=\"https:\/\/faustojunior.com\/blog\/wp-content\/uploads\/2020\/05\/legacies-of-brazilian-cinema_playlists-1.jpg 720w, https:\/\/faustojunior.com\/blog\/wp-content\/uploads\/2020\/05\/legacies-of-brazilian-cinema_playlists-1-300x153.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:71px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Entre os t\u00edtulos dispon\u00edveis est\u00e3o <strong>Limite<\/strong> (Mario Peixoto\/ 1931), <strong>O \u00c9brio<\/strong> (Gilda de Abreu\/ 1946), <strong>A Grande Feira<\/strong> (Roberto Pires\/ 1961),  <strong>A Grande Cidade<\/strong> (Cac\u00e1 Diegues\/ 1966), <strong>A Hora da Estrela<\/strong> (Suzana Amaral\/ 1985) e muitos outros&#8230;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mas se voc\u00ea pensa que acabou, ainda tem mais! Uma lista com dezenas de entrevistas e confer\u00eancias (com legendas em ingl\u00eas) com diretores, atores, m\u00fasicos, estudiosos\u2026 de diversas \u00e9pocas. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">O canal segue em constru\u00e7\u00e3o. Muitas obras importantes ainda est\u00e3o ausentes, provavelmente por quest\u00f5es ligadas a direitos de exibi\u00e7\u00e3o.<br>\nNa apresenta\u00e7\u00e3o (em ingl\u00eas e portugu\u00eas) o(s) autor(es) ressaltam que o canal n\u00e3o \u00e9 monetizado e deixa contato para solicita\u00e7\u00f5es de remo\u00e7\u00e3o de qualquer um dos filmes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Em pouco tempo <strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/channel\/UCZfgNbkYFhDmcoFazhrtdFg\/featured\" target=\"_blank\">Legacies of Brazilian Cinema<\/a><\/strong> torna-se uma relevante fonte para se conhecer e preservar a mem\u00f3ria do Cinema Brasileiro.<br> Ajude a divulgar, inscreva-se no canal e comente os filmes, nem que seja um &#x1f44d;&#x1f3fd;.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Aproveite e assine a peti\u00e7\u00e3o em prol da <strong>Cinemateca Brasileira<\/strong>, o maior acervo audiovisual da Am\u00e9rica do Sul, que h\u00e1 anos vem sofrendo um processo de desmonte e sucateamento. &#x1f447;&#x1f3fd;<br><\/p>\n\n\n\n<div class=\"wp-block-button aligncenter\"><a class=\"wp-block-button__link has-text-color has-background has-vivid-red-background-color\" href=\"https:\/\/secure.avaaz.org\/po\/community_petitions\/governo_federal_secretaria_especial_de_cultura_sec_cinemateca_brasileira_pede_socorro\" style=\"color:#060101\"><strong>campanha  Cinemateca Brasileira pede socorro <\/strong><\/a><\/div>\n\n\n\n<div style=\"height:59px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"http:\/\/edzz.la\/AGHUH?a=56069524\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/faustojunior.com\/blog\/wp-content\/uploads\/2020\/04\/Curso-Online-Laranja__645x315.png\" alt=\"\"\/><\/a><\/figure>\n\n\n<div class='cow_johnson' style='padding:15px;margin-bottom:15px;float:left;margin-right:15px;width:640px;color:#666666!important;font-family:\"Segoe UI\";font-size:14px!important;line-height:16px!important;background:#FFFFFF;'> <!-- relpost-thumb-wrapper --><div class=\"relpost-thumb-wrapper\"><!-- filter-class --><div class=\"relpost-thumb-container\"><style>.relpost-block-single-image, .relpost-post-image { margin-bottom: 10px; }<\/style><h2>Leia tamb\u00e9m:<\/h2><div style=\"clear: both\"><\/div><div style=\"clear: both\"><\/div><!-- relpost-block-container --><div class=\"relpost-block-container relpost-block-column-layout\" style=\"--relposth-columns: 3;--relposth-columns_t: 2; --relposth-columns_m: 2\"><a href=\"https:\/\/faustojunior.com\/blog\/cinema-e-universidade\/\"class=\"relpost-block-single\" ><div class=\"relpost-custom-block-single\"><div class=\"relpost-block-single-image rpt-lazyload\" aria-hidden=\"true\" role=\"img\" data-bg=\"https:\/\/faustojunior.com\/blog\/wp-content\/uploads\/2017\/12\/cinema-universidade-convergencias-155x96.jpg\" style=\"background: transparent no-repeat scroll 0% 0%; width: 155px; height: 96px; aspect-ratio: 1\/1;\"><\/div><div class=\"relpost-block-single-text\"  style=\"height: 32px;font-family: Arial;  font-size: 12px;  color: #333333;\"><h2 class=\"relpost_card_title\">Cinema e Universidade<\/h2><\/div><\/div><\/a><a href=\"https:\/\/faustojunior.com\/blog\/3-filmes-indigenas\/\"class=\"relpost-block-single\" ><div class=\"relpost-custom-block-single\"><div class=\"relpost-block-single-image rpt-lazyload\" aria-hidden=\"true\" role=\"img\" data-bg=\"https:\/\/faustojunior.com\/blog\/wp-content\/uploads\/2019\/04\/indio-jesus-crucificado-155x96.jpg\" style=\"background: transparent no-repeat scroll 0% 0%; width: 155px; height: 96px; aspect-ratio: 1\/1;\"><\/div><div class=\"relpost-block-single-text\"  style=\"height: 32px;font-family: Arial;  font-size: 12px;  color: #333333;\"><h2 class=\"relpost_card_title\">3 Filmes Ind\u00edgenas<\/h2><\/div><\/div><\/a><a href=\"https:\/\/faustojunior.com\/blog\/soteropolis-cinema-e-musica\/\"class=\"relpost-block-single\" ><div class=\"relpost-custom-block-single\"><div class=\"relpost-block-single-image rpt-lazyload\" aria-hidden=\"true\" role=\"img\" data-bg=\"https:\/\/faustojunior.com\/blog\/wp-content\/uploads\/2014\/11\/soteropolis_musica+cinema-155x96.jpg\" style=\"background: transparent no-repeat scroll 0% 0%; width: 155px; height: 96px; aspect-ratio: 1\/1;\"><\/div><div class=\"relpost-block-single-text\"  style=\"height: 32px;font-family: Arial;  font-size: 12px;  color: #333333;\"><h2 class=\"relpost_card_title\">Soter\u00f3polis: Cinema e M\u00fasica<\/h2><\/div><\/div><\/a><\/div><!-- close relpost-block-container --><div style=\"clear: both\"><\/div><\/div><!-- close filter class --><\/div><!-- close relpost-thumb-wrapper --> <\/div><div style=\"clear:both;\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Por Fausto Junior A mem\u00f3ria do Cinema Brasileiro \u00e9 reunida em um canal do [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7192,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[101,345],"tags":[697,147,1286,116],"class_list":["post-7189","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-referencias","category-reliquias","tag-cinema-brasileiro","tag-historia","tag-legacies-of-brazilian-cinema","tag-memoria"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/faustojunior.com\/blog\/wp-json\/wp\/v2\/posts\/7189","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/faustojunior.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/faustojunior.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/faustojunior.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/faustojunior.com\/blog\/wp-json\/wp\/v2\/comments?post=7189"}],"version-history":[{"count":14,"href":"https:\/\/faustojunior.com\/blog\/wp-json\/wp\/v2\/posts\/7189\/revisions"}],"predecessor-version":[{"id":7210,"href":"https:\/\/faustojunior.com\/blog\/wp-json\/wp\/v2\/posts\/7189\/revisions\/7210"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/faustojunior.com\/blog\/wp-json\/wp\/v2\/media\/7192"}],"wp:attachment":[{"href":"https:\/\/faustojunior.com\/blog\/wp-json\/wp\/v2\/media?parent=7189"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/faustojunior.com\/blog\/wp-json\/wp\/v2\/categories?post=7189"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/faustojunior.com\/blog\/wp-json\/wp\/v2\/tags?post=7189"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}